Ryan Dsouza
My first encounter with Ryan Dsouza happened when he generously offered one of his tracks for an EGM playlist. The moment I heard it, I knew there was something special in his sound — raw emotion, precision, and a depth that stayed with me long after the last note. It wasn’t long before we struck up a conversation, and from that spark came the idea to collaborate on a cover of Nine Inch Nails’ “Hurt” — the haunting ballad immortalized by Johnny Cash. That collaboration was just the beginning. Since then, Ryan and I have forged a genuine creative bond, built on mutual respect and a shared love of music that moves people. We’re now deep into an exciting new project — something bigger and more ambitious than anything we’ve done before. Details will come in due time, but for now, I can say this: you’ll want to hear it. In the meantime, I invite you to explore Ryan Dsouza’s world. Visit his website, immerse yourself in his artistry, and discover the beauty and power of his music.
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Estudis Meccanica
Narcis is a man of remarkable versatility — a multi-instrumentalist and music professional once personally recommended by a celebrated singer from one of Barcelona’s finest bands. Based in Badalona, he runs ESTUDIS MECCANICA, a recording studio infused with the soul and expertise of a true, seasoned musician. More than just a producer, Narcis is a collaborator in the deepest sense: offering guidance, encouragement, and hands-on musical contributions to bring any project to life. His skills span nearly every instrument — from drums and bass to lead guitar, piano, and beyond — and his backing vocals add texture and emotion wherever they’re needed. You can hear his artistry on several of my singles, including No Sound But The Wind, Time, and A Precious Thing, as well as on my upcoming release this September. Despite his many talents, Narcis remains refreshingly humble — the kind of musician you hope to work with again and again. Discover more about his work on Instagram.
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Fernando
On our way home one evening, we passed a small park and were drawn in by an unusual, almost hypnotic sound. Following it, we discovered a man—Fernando—playing the didgeridoo with remarkable skill. We stopped to listen, soon striking up a friendly conversation. In that moment, an idea began to take shape: to capture the unique, resonant magic of this ancient instrument for one of my songs. Fernando kindly agreed, and his performance became the opening to TIME, A Precious Thing. The result is something truly special—rich, textured, and unlike anything I’ve created before. I’m deeply grateful for this collaboration and look forward to the possibility of working together again. If you’re curious, I invite you to explore Fernando’s musical world—you might just be as captivated as I was.
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